Hand
Friday, April 22nd, 2011
Step by step, Adolie Day

Adolie writes:

“Hi Lilla
Here (finally) an overview of my work process.
Here for creating a character, I hope it will answer some questions.
*Sketch
for this first step I draw with anim pencil. Blue
I then turned to the light table to improve it, make it more readable,
clean, adjust my line and add details sharper.
I then add some values ​​in blue ink.
I scan and begins working on Illustrator forms (the tablet).
I draw some bodies, details, printed, peas … and imports them into Photoshop.
Sometimes (not here) I scan funds in watercolor, fabric, I import photos
to bring the material.
For the rest I’m working on Photoshop, with different effects,
brushes and textures that I keep in my palette
A new “beloved” for a top secret note book …”

5 commentsblog / The Artist's Process

Hand

John writes:

“Hi Lilla,
Here is the latest illustration I did for the Seattle Met. I’ve been using more textures and limited color with this work.”


Friday: Rebecca Bradley’s Florid Floral Notelets by teNeues

1 commentblog / The Artist's Process

Hand
Wednesday, January 19th, 2011
Suzy Ultman’s road to “Happy Trails”

Suzy writes:

“Hi Lilla.
With a majority of my projects, the production path is a straight, predictable line. Every once in a while, someone decides to take a risk and try something new. It’s a process full of problem solving & hard work, but the payoff is fantastic.

For “Happy Trails”, we were entering new Chronicle Books territory, creating a journal made of felt & embroidery. I’ve included images from important points in the process: (1) My very own hand-sewn mock-up which was sent to the factory in China for reference. (2) The production file referencing thread weight & stitch type. and (3) Voila! It’s the final journal in all of it’s felty glory.

enjoy* suzy”

Friday: Get your Paint On! Online class with Mati McDonough & Lisa Congdon

2 commentsblog / The Artist's Process

Hand

Trina writes:

“Hi Lilla

I’m sending you some new work. They are ink drawings and mostly about A2 in size. I can count on one hand the amount of times I’ve ever worked this big and this messy before. It’s easy to blame external blocks – years in a small rented flat with the proverbial British carpets, not enough space on my desk once my computer, scanner and A3 printer are on it, “What would I then do with work so big?”, “They won’t fit under my scanner”, “How would I get that to the art director”….and on and on.

It may be something more subtle though – “artists work big but I’m an illustrator”, “To do a big self initiated piece I ought to have something serious or special to say”, “beautiful paper needs something good on it and it might not turn out good!” or maybe with my ingrained Calvinism “That is just too much fun to consider”!

Now with a bigger space and floorboards and a table in the kitchen for craft projects all the reasons seem silly. But maybe it isn’t so much gaining physical space but just allowing myself mental space to play. I’ve always known, in theory, how important it is to play and experiment as a way to moving your work along but somehow it always gets moved right down my list of priorities to somewhere under “send out mailers” or “clean bathroom” and time goes by!

I’m really loving working this big and the spontaneity of using inks and water. Sometimes starting with a very light pencil outline, but mostly just starting. But with years of drawing elements on separate bits of paper – easy to throw away if not right and then working in Illustrator where the delete button is there as a constant comforter it is a shock when I realise changes can’t easily be made! But I actually find it quite relaxing if I accept that this is part of the process, finding ways to reshape and change elements as “mistakes” happen and accepting I can’t control everything as I go along. If I get to a stage where I can control the results and everything turns out as expected I guess that’s when I should move on to some other technique!”

Friday: Studio Carta Grand Opening

1 commentblog / new work / The Artist's Process

Hand

John Coulter writes us:

“Hi Lilla,

I was inspired to create a poster based on a phrase my French friend David told me: “Appuies sur le champignon.” It literally means “Step on the mushroom” but translates to “Put the pedal to the medal.” I thought this would look good in a kid’s bedroom, to help them get out of bed in the morning.

I’ve included a close-up and a sketch.

Thanks
John”

01_john_coulter_champignon.jpg

02_john_coulter_champignon_.jpg

03_john_coulter_champignon_.jpg

Friday:
Mosaic Eyes

3 commentsblog / The Artist's Process

Hand

Trina writes:

“Hi, Lilla! I want to show you these new pieces I’ve done for a UK based magazine. It’s called Bulletin and it is aimed at people working in the field of Speech and Literacy. I illustrate their monthly opinion column.

Because the text is usually very specific to its field rather than sit at my desk and have the reaction “I don’t understand this! I can’t do it!” on my first couple of read throughs I try to make something special of the event. So I take the text to the park and read while having an ice lolly or sit in the kitchen by the window with coffee and a cinnamon bun….somehow I trick my mind into relaxing so it all starts to make sense and I can come up with “soft” but relevant solutions. Which is what I love about illustrating for magazines – having a text that is a little dry or outside my usual scope of knowledge and finding a visual way of making it more approachable and appealing.

I’ve also included a few roughs for two of them.

I particularly enjoyed doing the one about how when assessing children’s speech it’s necessary to be aware and make considerations for things like it not being a first language or hearing difficulties etc.

When I was five I had speech therapy and I can still remember some of the pictures in my work book – a father and children pulling a yule log and a picture of a yacht. “Y” was one of the sounds I was having trouble with. Though I can now say yacht perfectly sadly I can’t spell it so well! Luckily the editor picked up on it on the rough!”

trina_pv_bulletinapril10_data.jpg

trina_pv_bulletinjuly10_childlanguage.jpg

trina_pv_bulletinjune10_ivorytower.jpg

trina_pv_bulletinmay10_missionstatement.jpg

trina_childlanguage_idea1.jpg

trina_childlanguage_idea2.jpg

trina_ivorytower_ideas1_2.jpg

trina_ivorytower_ideas3.jpg

Monday: Las Vegas Sun: Slot Machine Advertising

1 commentblog / The Artist's Process

Hand

John Coulter writes:
“Hi Lilla,
This is a recent illustration that I did for Seattle Met. I’ve included the layout and sketch. I based the stamp image on the Seattle city logo.”

john-1.jpg

john-2.jpg

john-3.jpg

john-4.jpg

john-5.jpg

Wednesday:
Bravi Tutti

no commentsblog / The Artist's Process

Hand

John Coulter writes us:

“Hi Lilla,
I did an illustration for the Las Vegas Sun for an article about balancing the state’s budget. Below is the final, the layout, some closeups and the original sketch.

The symbol on the sleeve comes from the Nevada State Flag. I found a flat color, vector version of it, and spiced it up with some textures, and changed the fonts as well. The phrase “Battle Born” on the state flag reflects the state’s entry on the Union side during the Civil War in 1864.

Thanks,
John”

johnc_01_lasvegassun_budgetcuts_475.jpg

johnc_02_layout.jpg

johnc_03_closeup1_475.jpg

johnc_04_sketch_475.jpg

johnc_05_nv_flag.jpg

Monday: Sarajo’s sketchbook

no commentsblog / The Artist's Process

Hand
Wednesday, May 5th, 2010
New Work by Rebecca Bradley

Rebecca writes us:

“Hi Lilla; I have just finished a piece for the LA Times Home section which I wanted to share. It was a rush job- from start to finish in a few days. In fact i had only a few hours to get sketches to the art director. I have attached the sketches and then the final. The story was about grandparents raising their granddaughter. I wanted to use the symbol of the family tree.”
pastedgraphic-1.jpg

pastedgraphic-2.jpg

pastedgraphic.jpg

Friday: New Images by Hsinping Pan

1 commentblog / new work / The Artist's Process

Join Our
Mailing List

ecojotlogojpg21.jpg

helend_square_1.jpg

125x125_jenn_ski1.jpg

jillianad.jpg

lisacongdon-ad_small.jpg

mati_ad_animate.gif

marco_pp_ad.jpg

johnc_tile_02.gif

linda_blogvertisement.jpg

bonnie_dain_ad.gif

janellblog_ad.jpg

sarajo_blog_ad.jpg

mlowery_lillablog.jpg

orangepiel_lilla.gif

web.jpg

tdac-125pxad.jpg